Paddle Your Own Canoe

And old post (late 1990's) from the days before blogging, which I was reminded of recently, largely due to similarities between my canoe building (then) and my pastry making (now).

Tired of Grade V? Cape Horn a bore? All surfed out? Then revive your spirits with a day on the Great Ouse among the lunatic fringe of flatwater potterers. Conditions have to be just right; tee-shirt weather but not too much sun, a nice breeze to keep the flies away, and reasonable water levels.

A study of the OS map revealed an interesting area around the Hemingfords, between St. Ives and Huntingdon. Here there was at least two main channels marked, and several smaller ones, giving a choice of routes and a nice circular journey rather than just paddling up and back. I found a good place to launch at Hemingford Abbots, near a bailey bridge marked 'Black Bridge' on the map. My canoe is a Canadian stitch and glue job, badly self made to a Dennis Davies design. For expedition work like this I attach a painter to the bow and take a spare paddle.

Push off into lanquid brown water with lots of tree reflections, floating leaves and small birds singing. Great! Turned left (upstream) and paddled past some nice houses on the left and meadows on the right. The stream soon swung right and a narrow choked channel appeared on the left. Canoeists of my calibre like to live fairly close to the edge, so left it was, the stream soon widening into a large shallow lagoon beneath a weir coming off the main river. 

Potential danger in the form of a family of swans was avoided by going nowhere near them. Dragged the boat up to the main river and answered a call of nature (not exactly simultaneously). There were cruisers moored opposite and what looked like a marina further up, so I was clearly back in the civilized world. Had a bite to eat and then set off downstream with the breeze at my back. The last sentence just about sums up my whole canoeing philosophy. This stretch was obviously the 'main road' as opposed to the 'country lane' I had just left, with the banks cleaner and better kept. 

I soon got down to Houghton Mill, where what in Cambridge would be a punt ramp made for a very easy portage down to the lower river. Had a look at the Mill, which would have been better with more water coming through, and chatted to a couple of anglers ('Did you make that boat yourself?' - thinks 'You couldn't buy one as badly made as that'). 

A nasty looking black cloud with accompanying gusts of wind made paddling far too dangerous and reckless for a while, so I pulled into the bank and had another snack. Opposite this bivouac point, a small side stream with a decided current ran off into a green wall of vegetation. The lure of the unknown proved too much, and as soon as the sun came out again I nosed into a narrow channel between tall cylindrical reeds. 

This ran down to a small weir with some old trestle stuctures below it, the main river higher up to the right, and another feeder to my side stream coming off that. 

I thought about shooting the weir but remembered in time that solo expeditions have a rigorous code of self discipline all of their own. Instead I got involved in a Portage from Hell, going up to main river (nettles) only to find that the other channel onto the side stream had its own weir (this should have been obvious). Portaged back again (more nettles) and managed to scramble in below the first weir. Across the weir pool, through the trestle structure (old bridge?), and onto the side stream again.

The next few minutes severly overloaded the senses as with a tail wind and the good current I followed the stream as it wound through pools of lilies and water crowfoot, alternating with faster narrower passages through the reeds. These latter channels were a neat boat width and this must be a regular canoe run for the locals. The necessary flavouring of danger was provided (again) by a family of swans which hissed at me as I drifted past trying to look like part of the boat.

All too soon this idyll came to an end and the sidestream entered the main river again. I now had to pay the price of my 'downhill' run, and turning right started upstream against the wind. A side channel opened up on the left, leading to the other branch of the river and hopefully some shelter from the wind as there were more trees there. This channel ended in a former (or flood times only) weir pool, with the banks of the main river some way away. Some scouting on the bank revealed a further pool, nearer to the upper river and hidden behind a bed of reeds. I returned to the canoe and bashed my way through the reeds into a scene from Louisiana; a shallow lagoon/swamp full of rotting branches and choked with reeds around the edges. 

I finally managed to pull out beneath an old willow, and from there it was a short carry to the upper river. This was the 'main road' again, with Hemingford Grey church a short way upstream and a lock with cruisers below me. On upstream and another snack at a point where I could get the best view of the church, which was fully up to expectations. 

From here there was more shelter from the wind and I plodded on, taking the right channel where the rivers split, and then left onto a cross channel to bring me back to the stretch of water I had launched onto. By now I had aching shoulders and that 'last long mile' feeling and the last few hundred yards to my starting point brought little pleasure.

But thats how all good expeditions end.

To Hell With Pastry!

I'm getting into cooking these days, so one day while musing upon the remains of a roast chicken dinner, I decided to make my first chicken pie. Which it turned out was a rather fiddly procedure, accompanied by such strange concepts as 'shortening', 'baking blind' and running your hands under the cold tap so as not to overheat the pastry mix. Not to mention working out how much pastry you actually needed.

Anyway I stuck with it, rubbed up the flour and butter, cut out all the panels for the base and sides, and produced this:

which was voted a success (bearing in mind that to criticise another's cooking is to take on the burden oneself). 'Baking blind' was mentioned at this point. As were 'beads'. WTF?

However, butter is a bit of a no-no these days, so I came up with the brilliant idea of using a pizza dough mix for the pastry. A lot less work (fewer ingredients and you can use the bread machine) and a better grip on the amount (just use the usual three pizzas quantity).

Which produced this:

as voted a success and just as delicious.

This still needed a lot of fiddling with the panels however, as with making a stitch-and-glue plywood canoe (another story) where at least templates were provided.

However in another blinding flash I realised that if I just split the dough into three, as if making pizzas, I could make individual pies by just wrapping the fill up and baking in a stand-alone fashion.

Which produced this:

with the edges folded to the top and sealed. For some reason I was reminded of the pods in 'Alien'.

Another success!

Although the unbaked 'pies' did have a tendency to unfold, so I finally settled on this:

which is a sort of Cornish pasty I suppose.

The only way I can think of to simplify things further is to chuck EVERYTHING into the bread machine, a bake the result into a sort of conglomerate of chicken in a pastry matrix, but I'll hardly get away with this. I can't find any examples on the Web, so here's a picture of a lithological version, which gives an idea of what the result might looked like, although the colours would of course be different.

Firewood!

Along with food, the main concern of the hunter-gatherer. Bringing dinosaurs etc. back to the ol' cave is all very well but they have to be cooked, and you need a nice warm fireside afterwards. As by definition the wood has to be hunted and gathered, what's the procedure?

A visual guide follows.


Sources:

A man after my own heart, on the beach at Newcastle, Co. Down. We bonded and talked of driftwood we had known and loved. The HUGE advantage of driftwood is that it is in the public domain. Councils do have a tendency to tidy this up, so carpe diem.

Salvage from house renovations can yield a lot of easily gathered, but usually dirty and spitty wood. There may well be ownership issues too; approach with caution after dark. With gloves.

A good haul of hedgerow blackthorn. Council hedge operations are a great source for this, also elderwood, which doesn't burn well, but if dry enough will smoulder away to nothing.

A mixed bag of drift and other wood, saw for scale.

Firewood pornography, but too big, too public, and too owned!

Almost perfect. Four foot plus lengths of driftwood washed onto the large boulders of a reclaimed shoreline. Easy access from motorway-side cycle track, and the wood is off damp ground.

The Twelve (ash) Logs of Christmas. I cannot reveal my source for this. Gives out a lovely warm, green scent with the stove is hot.

You can get a lot on a transport bike! This sort of find cannot really be passed by, although it needs a lot of lifting, cutting and drying.

Drying:

Of course it needs to be dry. I don't have a woodshed but for small batches you can improvise.

A batch of driftwood maturing nicely.

Blackthorn, ash and pine, under the polycarbonate roof of the outside toilet. It gets REALLY hot in here in Summer.

A sunny spot.

Yule logs, 2011, carefully sorted and labelled. One problem is getting emotionally attached to your firewood, particularly prize items, or pieces which you have carefully matured over a long period.

Postscript:

Before...

...and After.

It's a man's world.

Endeavor to Persevere

(Quote)

All

Regrettably to date I have been unable to prioritise my activities to schedule an Autumn Briefing, which I’ve conducted in the past as typically 2 sessions of each 45 minutes duration on (each of the) campuses.

The good news is that today, I have completed a slide set to convey a vision of the ‘future’ based on what I consider to be the key points that I extracted from the “Reorganisation document” issued in June this year.  The team of managers and our Deputy Director has seen an earlier version, hence are aware of my opinions and of my view of the future.

It remains my interest to continue to communicate as I have been doing from May 2011 (in a formal way) as part of my contribution to change and hence to managing change.  The slides serve, I hope, to reinforce evidence of change introduced by the team, as well as to convey a picture of what I refer to as “Living the future today – be part of it”.

These slides are available to you and your manager has been advised to this effect.  If it transpires to be practice to achieve sessions on each campus ahead of the Christmas break then I will deliver them, using the resource I refer to.

Informally and through your regular monthly team meetings please become part of the future now and I hope that feedback from each manager, these slides and your personal active participation will empower ICT Customer Service to be the “living example” of tomorrow, today.

Regards

(Head of Customer Services)

(Unquote)

'We thought about it for a long time, "Endeavor to persevere." And when we had thought about it long enough, we declared war on the Union.' - Chief Dan George

Ten Details

Shot with a Nikon Coolpix 4300 (Closeup mode) on a beautiful November day at the harbour in Glenarm, Co. Antrim.

Lichen

Rope

Chain

Chalk

Belemnite

Brick

Sand

Plant

Crack

Paint

A Year in Haiku...

...on my country estate.

Composed in my head at the time and on the spot, these can be seen as an alternative to camera snapshots, hopefully involving more senses than sight. The 'traditional' form of three lines of 5,7 and 5 syllables is used here, and while composing I would count them out on my fingers. Recently I've read of a 'better' way to do this (i.e. more in tune with how Japanese haiku are set out), which is two have three lines of 2,3 and 2 stresses, which tends to give 12 syllables or so. For example the second verse here could be set out as 

setting sun

lights larch tops - 

absent thrushes

but it's too late now!

Given their genesis, both nature and the seasons feature strongly, and I have also kept the idea of a 'cut' to "implicitly contrast and compare two events, images or situations", as Wikipedia puts it.

cold north wind, brittle sun -

bullfinches in the hedgerows

of muted colours

fire in the larch tops

kindled by the setting sun -

few winter thrushes

distant hills and shores

no sails on the shining sea -

gleaming green ivy

wind in fir needles -

boots crunch on dead leaves and trip

on clinging brambles

celandine hedges

windy buzzards wheel and cry -

dreams of sunny spain

eager chaffinches

grey slate red tile pink blossom -

an upturned canoe

the first celandines

cower beneath cool grey clouds -

rain on yellow gorse

woodpile, trapped queen wasps

waiting patiently for light -

gone in seconds, hup!

the sunshine of spring

lilac leaves, blackthorn blossom -

cool clear dappled hills

high sun forty greens

blackcaps singing windy trees -

apple blossom storm

mid may, ocean air

days rain, swollen streams -

breaking hawthorn blossom

blue haze beech green wind

from the butterscotch valley -

distant picnic sounds

buzzard leads the way

tree dimmed track, shower dimmed trees -

older by a year

orion fading

nail paring moon in turquoise

bird sounds - bike wheel song

warm woods ears alert

for garden and wood warblers -

at butterfly speed

after morning rain

scudding clouds muted birdsong -

trumpets of the sun

late august my feet

are cool in plastic sandals -

go and find some socks!

gazing at the sea

like fulmars over green fields -

fish out of water.

in between the tent

and the smoking brazier

summer leaves glow green

in the august woods

looking for fritillaries -

rocky stream below

alone, out of sight

i can wear my hat backwards -

sunshine and showers

blackberry autumn
birds talking of africa -
the smell of night rain

golden treetop wind
draws up the damp stick day fire -
quiet acorn plop

glenarm thick with sloes -
flames of grey cloud going north
a hard rain easing.

hawk call, wild water.
signs of nature on the run -
i have no towel!

after the tempest
hydrangea heads in the pond -
sweet sweet feverfew

Nature at Long Range....

...with a rubbish camera.

These pictures should speak for themselves.

Whooper Swan on the Six Mile Water, Antrim (M. Shannon)

Merlin (K. Hanvey) 

Redstart on the Alcazaba, Málaga (B. Stocks)

Lapwing, Rathlin Island (E. Stocks)

Family of Mallard, River Lagan (E. Stocks)

Geese (?) over Toledo, Spain (E. Stocks)

Buzzard, Glenarm (B. Stocks)

Moon in conjunction with Jupiter (B. Stocks)